Friday, July 30, 2010
The Optimist, © Deborah Hamon 2010
Pinnacle, © Deborah Hamon 2010
Jump, © Deborah Hamon 2010
In my new project titled North, I am using the diverse, surreal, and stark landscape of Iceland as the stage for my continued exploration of the construction of identity of girls. In our culture, “North” is used to define all other directions. As I raise my daughter, and navigate through the ups and downs of parenthood, I hope to steer her ultimately on the right course.
In late May 2010, six days after volcanic activity slowed, I drove around Iceland photographing the landscape. I am drawn to isolated settings and elements that may feel slightly awkward or quirky. Separately, I photograph girls at an age where these same adjectives could describe their journey from childhood to young womanhood. My work combines the images to explore ideas about identity development, or in the absence of an actual girl, I use the landscape as a metaphor for these ideas. I am fascinated by the way girls act and consciously present themselves as they try to figure out who they are and who they ultimately will become. There are moments of self-confidence and self-doubt, discoveries and disillusions, whimsy and seriousness, innocence and knowledge. Part of them wants to hang on to the innocence of childhood, yet they are eager to grow up. Navigating relationships is also a big part of this process. I am interested in how the girls present themselves in relation to the viewer, and how they fit within a social context with others, as well as their expectations of the world and how they see they fit in it.
Tuesday, July 13, 2010
I have a gallery of images featured on Lipstick Tracez -- an online magazine featuring art, fashion, design and culture based out of Los Angeles, CA. Click here for a direct link to my gallery. And here for some interesting features including interviews with Andrea Land, Anna Gaskell, Catherine Opie, Delia Brown and Marilyn Minter.